Ancient Connections


Pembrokeshire County Council commissioned Dunnett to photograph holy wells in Wexford as part of Ancient Connections, a heritage and tourism project linking North Pembrokeshire and Wexford. The series explores the environment and key details of lost and restored wells, and those that have been cared for through the ages. Dunnett’s work accompanies Irish writer Michelle Dooley Mahon’s text, The Bright Plain is published by Parthian Books.  

Lady’s Island is a pilgrimage site dedicated to the Virgin Mary. The island is joined to the mainland by a reclaimed causeway surrounded by a backbarrier seepage lagoon, which is separated from the sea by a layer of vegetated shingle. Salt and freshwater merge, making the lake and its environment an exceptional habitat for plants and animals to thrive, especially terns.

The island has a long history of devotion. Patrick Logan mentions in his book The Holy Wells of Ireland that pilgrims circa 1682 could be found, ‘bare-leg and bare-foote, dabling in the water up to mid leg round the island. Some others goe one foote in the water, the other on dry land taking care not to wet the one, nor to tread dry with the other. But some … goe on their knees in the water round the island and some others … goe three times round on their knees in the water.’

There are two wells in Tomhaggard, St Anne’s, in a carefully maintained garden and St James on the roadside adjacent. St Anne’s Well was known for curing eyes and throats, and there are stories in the Irish National Folk Archives of eyesight being restored. The devoted still leave offerings of candles, rosary beads and medals. Stations of the cross guide you up from her grotto to a small mass house that was used in penal times. Across the road from the garden are the ruins of the old parish church that houses a new gravestone dedicated to Father Nicholas Mayler P.P. who was killed during the celebration of mass on Christmas morning 1653.

Dunnett’s photographs were used as source material to make a series of cyanotypes, a photographic technique dating back to 1842. She read that St James water was used for making tea in the Irish National Folk Archives but came across contradicting information. So instead, she pre-soaked the blue cyanotypes in a bath with a splash of water from the St James Holy Well and toned them in an Irish tea produced since the early 20th century. Very much a lapsed Catholic but out of respect for St James she blessed each print.

St Helen’s well is long lost to the gorse. The remains of a pre-Norman church overlook the sea. It was used during the times of Thomas Cromwell and a story tells of kneeling figures still seen in the ruins a hundred years after. There is another tale attached to St Helen’s. St Aidan journeyed south to till the land with a team of oxen and a plough. He gave an ox to a woman with leprosy who he met on his way, leaving him one short to work the land. On arrival an ox leapt out of the sea. St Aidan yoked the animal with the other oxen and the land was ploughed. Each night the animal returned to the sea and reappeared the following morning. There is said to be a rock from which the animal jumped that bears his print.

At Carnsore Point, the southeasterly point of Ireland, big waves crash on its long sandy beach. St Vauk’s Well could not be found either. The archives state that it was once visited for complaints such as tooth and headache. The faithful drank the holy water directly from the well, took it home in bottles and applied it to the ache. Water from St Machain’s Holy Well in Killincooly was said to cure headaches and warts. Offerings still hang around the stone cross on top of the white washed well house. There is an old graveyard nearby said to be home to curing stones connected with the well.

All that was visible of St Brigid’s Holy Well, Crossabeg, was her statue secured to a tree, the setting had become overgrown, reports Cassidy Says in Ireland’s Own, an Irish family magazine established in 1902. During the first lockdown local residents restored this peaceful place for prayer in the country landscape. Cassidy signs off with, “Whatever ails you, look to the ‘lady of the dairy’ and forge, the patron of healers and poets for succor. Keep the tradition alive.”

Phytograms


Dunnett has been experimenting with incorporating the landscape into her process by working with materials foraged from the land. Phytography is a camera-less process that employs the chemistry of plants to create prints on photographic paper. These prints were made with leaves, petals and berries sourced close to her home in Warwick. She enjoys the materiality of this process, layering the flora directly onto the paper and exploring colour, marks and texture.

 To celebrate Coventry’s year as UK City of Culture, Coventry Artspace commissioned Dunnett as part of its ‘Artist on My Street’ project to create phytograms for display in the windows of the Ken Kennett Centre in Stratford-upon-Avon. The project was funded by Arts Council England, National Lottery Community Fund, Coventry City Council and Coventry City of Culture.

 Dunnett exhibited a series of phytograms as part of Solihull Work in Progress micro-commissions. Small is Beautiful was presented at The Core in Solihull. This formed part of a cultural project developed by Solihull Council, working with community artists Parrabbola to support artists with projects across all art forms, from Solihull and the wider West Midlands.

Sun Prints


Dunnett created sun print packets which were sent out to participants over consecutive lockdown summers. They were encouraged to experiment with and have fun with cyanotype-coated paper. Participants could draw or write on acetate and place it along with objects such as leaves, flowers, toys, letters, jewellery, sheer fabrics and lace on the coated paper. They exposed, washed and dried their prints, then photographed and emailed them to Dunnett where she exhibited the prints on Instagram.

Over the summer of 2020 Dunnett was commissioned by Creative Black County as part of the Creative People and Places scheme to run @cbc_sun_prints and worked with families in Dudley, Sandwell, Walsall and Wolverhampton.

The following year she was commissioned by Live & Local to run @livingroom_sunprints showcasing the work of residents from Mareham le Fen in Lincolnshire including Class F from Mareham le Fen CE Primary School. The work was exhibited on social media. The project was supported by Arts Council England, East Lindsey District Council and Magna Vitae Trust.